Music Books

2009 is Mendelssohn’s anniversary year and this has occasioned us to publish in addition to the already existing “Songs without Words” HN 327 nearly all of his piano compositions in two new extensive volumes (HN 860 and HN 861). อ่านเพิ่มเติม..

A Library
FELIX MENDELSSOHN BARTHOLDY Piano works, Volume III - Songs without Words(HN327)

When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his “Lieder ohne Worte”, he effusively thanked him for this gift. อ่านเพิ่มเติม..

A Library
NICOLÒ PAGANINI 24 Capricci op. 1(HN450)

Als „Capriccio“ bezeichnete man vor der Paganini-Ära eine bravouröse Solokadenz in Sonaten- oder Konzertsätzen für Violine. อ่านเพิ่มเติม..

A Library
ROBERT SCHUMANN Paganini-Etüden op. 3 und op. 10(HN614)

Wie viele Komponisten seiner Zeit war auch Robert Schumann fasziniert von der Gestalt des „Zaubergeigers“ Nicolò Paganini. อ่านเพิ่มเติม..

Music Books
BEETHOVEN Piano Concerto no. 1 C major op. 15 (HN433)

Ludwig van Beethoven conquered the musical city of Vienna as a pianist, creating outstanding works for his instrument. อ่านเพิ่มเติม..

A Library
GEORG FRIEDRICH HÄNDEL Flötensonaten, Band I(HN483)

Die Urtext-Spielstimme dieser Ausgabe ist als kombinierte Flöte/Basso-Stimme (originale Generalbassziffern ohne Aussetzung) angelegt. อ่านเพิ่มเติม..

A Library
GEORG FRIEDRICH HÄNDEL Piano Suites and Piano Pieces (London 1733)(HN472)

“His things for clavier are incomparable, and almost indispensable to those familiar with the keyboard”, was the judgment of music theorist Johann Anton Scheibe in 1743 when discussing George Frideric Handel’s keyboard music. อ่านเพิ่มเติม..

A Library
GEORG FRIEDRICH HÄNDEL Klaviersuiten und Klavierstücke (London 1733)(HN472)

„Seine Claviersachen sind unvergleichlich, und den Kennern des Claviers fast unentbehrlich“ urteilt der Musiktheoretiker Johann Anton Scheibe im Jahre 1743 über die Klaviermusik Georg Friedrich Händels. อ่านเพิ่มเติม..

A Library
PETER ILICH TCHAIKOVSKY Violin Concerto D major op. 35 (HN685)

Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather “pulled about, torn asunder, beaten black and blue”. อ่านเพิ่มเติม..



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